Click Here for the full photo set.
Exit the sun parched
stillness into words bound and
words set free into
open space cascading through
honeycombed rail speaking truths
Upside down Mountain
radiates, a deliverance
from flamingo stance
the sound, soft as fuzz, casts spells,
grabs hold with ferocity
Renga by: Shan
My alarm clock went off at 6:30am this morning. It does everyday. The only difference today was that I had to get up and go to work with very few hours of sleep and it’s Conor Oberst’s fault. Late nights don’t happen much on work nights anymore. Or usually when I do go during the weeknights to take some photos and listen to some music I will leave the venue early to ensure that I have enough rest to face the next day. Last night I couldn’t leave early. I couldn’t leave until I knew I heard every song that was going to be played. At most shows I’ve been to, and believe me I have lost count- it could be in the thousands at this point- people start to thin out the crowd around 11:15 or so. It doesn’t matter who is on the stage people start to leave, that’s a fact. Last night this wasn’t the case. The venue was packed and no one was leaving until the bitter end. In fact, the impatient crowd were stomping in unison for the encore with such passion that I thought we may fall through the floor of the bar.
The awesome melodies, the solid, tidy arrangements played by backing band Dawes, and the precision and crispness of the sound at the sold out show at Union Transfer last night was worth all the tiredness and pain I feel today. If you know me, you know that operating on less than 8-9 hours sleep doesn’t happen. It just doesn’t. And I would do it all over again. I got to hear songs that I never thought I would have a chance to hear live again- or ever for that matter (Method Acting and Hit the Switch). Reaching far back into the catalog for some old Bright Eyes and then stretching all the way over the rainbow to songs that were released as early as Tuesday of this week off of his new solo album Upside Down Mountain. Conor Oberst’s collection as expansive and eclectic as it is blended beautifully last night into a bouquet-set-list that didn’t disappoint one bit. A fully animated show completed my week and it was only a wednesday.
I always say that my ideal day should provide something to make me think, something to make me laugh, and something to help me make my own fun. Last night provided all three in one space. I feel grateful to be able to continually blend my love of music and creativity all in one place. Enough about me. To see more photos from the photo set click HERE
Last evening I had the experience of seeing The Internet live at the TLA in Philly. A review is forthcoming. Until that time you can see the photoset by clicking HERE.
Sisters Dissonance was fortunate enough to have an audio recording of “The Recluse” live given to us to share from the Tim Kasher show last Saturday.
Hope your ears enjoy, and don’t forget to virtually flick through the photo set (click here) from the night while you listen.
The audio recording was generously provided by Ben Hughes with Night Windows. You can hear an exclusive track from his upcoming release here .
The night was filled with funnies, a fluffy pink tailored shirt, a great full band, some die hard fans, and super fantastic music. Shan will be seeing TK in Cleveland on 11-11-13 at the Grog, I can’t help but wonder if she will see the blue fluffy shirt there Monday night.
Tim Kasher has yet to disappoint me with an album or a live show (see photo set here). His energy and attitude is always a perfect match for the crowd he is in front of, wiling to engage, and be spontaneously (typically spontaneously funny). There was a great balance of old and new songs, Cursive, The Good Life, solo stuff. Our set had a smattering of it all. Saturday night was the first time I saw Tim play the keys, though I know he can. I’m waiting to one day see him on the accordion live. I would be bereft if I didn’t mention the bass player, Sara Bertuldo- I always love to see women tearing up the stage every bit as much as a man playing lead guitar. In fact, Tim’s whole band brought Johnny Brenda’s stage to life Saturday.
Laura Stevenson opened for Tim and his band again, it was actually my third time seeing her play live. First in 2011 when she opened for Tim (see the archived post here), and again when she opened for The Felice Brothers in 2012 (see the archived post here). She and her band played a great set that engaged the audience, and had both guys and girls singing along. I was impressed by the beauty and power of her voice and how succinct she and her band have become (photo set here) it’s solidly entertaining and moving to watch.
If you’re in Cleveland tonight (Monday November 11, 2013) I recommend you take your butt down to the Grog to see the show. You won’t regret it.
Sisters Dissonance 