Jim James

Video | 2012 Newport Folk Festival & Backstage BBQ

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You can read more of our love for this festival through one of the many articles we wrote after our return by scrolling below to the past 7 or 8 posts! This time around instead of words we tried to capture the spirit of the festival and the Benefit BBQ through a video montage of sights, sounds, places and things to help relive our weekend excursion to the enchanting town of Newport, Rhode Island.

In addition to some of our favorite photos of the Festival, the second half of the video has some of our (until now) unpublished photos and audio from the after-festival private Backstage Benefit BBQ, a fundraiser for the Newport Festivals Foundation. Below is the video footage taken by Ady at the BBQ that the audio was taken from. The song is “I Never,” brought to the table by Joe Fletcher, who lead Sarah Lee Guthrie, Johnny Irion, Ben Sollee and friends in an impromptu version of the song, which they worked out on the spot.

The remaining photos from the BBQ and the last few photo sets in our collection will be posted to flickr this week.

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Review | The Newport Folk Festival: Hurry Hurry Step Right Up!

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“We need a strategy,” he said as they looked over their 2012 Newport Folk Festival schedule.

Those were the very first words I heard in passing as we entered the festival grounds on Saturday morning, and he wasn’t kidding. Starting the night before—with the utopian setting sun, cool breeze off the bay and Wilco doing ultimate justice to the acoustics afforded by the old Fort Adams infrastructure—it was a whirlwind jam-packed-music-filled weekend beyond our expectations (although, we did expect it to surpass anything we hoped it to be, so we were right in that regard).

I liked imagining that it was a giant musical carnival, one filled with impromptu on-stage collaborations and surprise performances emerging among scheduled sets. Everyone dashed with excitement from stage to stage, just as one would do from ride to ride and game to game at the carnival, in attempt to catch as many diverse acts as we could, thanks in no small part to the equally music-obsessed festival organizers and producers. General consensus was that Ben Sollee, Taylor Goldsmith and Jackson Brown were the most frequently spotted wandering minstrels, though Conor Oberst and the Söderberg sisters (aka First Aid Kit) and many others randomly popped up on stages throughout the festival (collaboration is both fostered and encouraged at the festival) painting even more layers into the atmosphere.

Wilco performing at Fort Stage

Starting on Friday evening after our epic journey from Philadelphia PA, where rain and traffic and an accidental detour onto the wrong highway (by me, the guilty party) caused our drive to be almost double what we expected, we arrived into town and plunged into the myriad of events that awaited us. Wilco sounded better than ever as they opened with a punchy “Christ for President” in a nod to the festival’s celebration of Woody Guthrie’s 100th birthday and the weekend blasted off from there, crowd tightly packed and on their feet at full attention.

It took every ounce of willpower for us to peel off slightly early so that we could slip back into town to catch Conor Oberst and Friends for the four hour plus set (which we will cover in more detail in a forthcoming post) at the beautiful Jane Pickens Theater. Happily, on our way on foot to the venue, we could hear the rest of the Wilco set bouncing across the water giving us a second, very different perspective of the show—a (very enjoyable) theme that would reoccur over the weekend with us seeing sets from front of stage, in the photo pit, on screen in the media tent, through portals in the old Fort Adams walls, from the backside of stages, and from the outskirts of the audience taking the entire scene in.

Night one down and already about 6 hours of live music under our belt.

[Insert post show food search and 5 hours sleep]

On Saturday we worked on our own strategy of how to properly cover the festival and take in and enjoy as much as we possibly could of the jam packed lineup. Upon entering we caught part of Brown Bird’s set on the Fort Stage, and then hurried over to the Museum Stage to see Sleepy Man Banjo Boys (truly talented beyond words already at ages 9, 13 and 14).

Sleepy Man Banjo Boys performing at the Museum Stage

From there we caught (order of appearance may be slightly askew) The Apache Relay for their super-charged set, Alabama Shakes via the screen in the media tent (amazing voice!), and looped around the other two stages, the Quad and Harbor Stages to see Jonny Corndawg, who we both thoroughly enjoyed, and Deer Tick who bowled me over. Preservation Hall Jazz Band (who were joined onstage with Pete Seeger’s grandson, Tao Rodríguez-Seeger and Ben Sollee), I immediately fell crazy in love with. I also did some serious people watching during their set because I really enjoyed seeing how physically affected by the music everyone was—dancing like mad and smiling during the oldtimey upbeat tunes one minute, then moved enough to exchange kisses and embraces during the slower ones the next.

The Apache Relay performing at the Harbor Stage
Jonny Corndawg performing at the Quad Stage
Preservation Hall Jazz Band performing at the Fort Stage
Deer Tick performing at Quad Stage

We later caught the entire First Aid Kit set, memorized just like everyone else. Johanna and Klara are like watching sparkling gems, lovely in sight and sound and full of grace as they belt out some of the most beautiful sounds imaginable. In a surprise, but slightly anticipated guest appearance, Conor Oberst took the stage to help finish the set with a bang during “King of the World” (a little side note, if only the The Felice Brothers could have been there for it, too!).

First Aid Kit performing at Harbor Stage
First Aid Kit
Conor Oberst joins First Aid Kit at Harbor Stage

We also caught bits of Honey Honey and later enjoyed sitting in the grass, listening to the story telling and songs by Arlo Guthrie and family as they celebrated the life of Woody Guthrie. All of this, and about 5 times of the amount of music we saw was going on elsewhere simultaneously, including Conor Oberst’s surprise set in the Kids Tent (tip: get the NFF App and PAY ATTENTION to the alerts they push during the festival!)

Jim James/My Morning Jacket performing at Fort Stage as the rain rolls in
. . . and the rain did roll in. (Shan, Ady and Kristi inside the BBQ tent)

As the evening marched on, the rain flooded Newport just like the music did, which cut loose right at the end of My Morning Jacket’s closing set on the main stage. During their set, I was excited to see Preservation Hall Jazz Band join them on stage. Jim James and co barreled through the songs as we watched through a tiny portal window inside the fort where we made new friends along the way. Finally the crowds dispersed during a powerful end to the set when the torrential storm picked up even more. We were able to keep semi dry until we realized we needed our passes to enter the intimate Backstage BBQ that immediately followed the festival, at which point we took off on foot to obtain them. When we arrived back at the fort, we, along with everyone else (including our friend Kristi who we had planned to me up there) were soaked from head to toe, but not deterred of our eagerness for yet another segment of the evening to begin.

In short, the BBQ was almost entirely cancelled due to the storm, but for those of us who decided to wait out another round of storms and remain, we watched as one by one musicians rose to the challenge to resurrect the evening with only their voices and acoustic instruments (and some hand claps too). A few highlights from the Backstage BBQ included off the cuff performances from Eric George, Joe Fletcher, Sarah Lee Guthrie and Johnny Irion , Jim James, Ben Sollee, Spirit Family Reunion with many others. When it was all over we made our way through the tunnel exit which, just hours prior was reportedly under, if memory serves me correctly, at least 18 inches of water. The BBQ itself, in my opinion worth the price of the entire weekend itself just to be present for an event that is sure to go down in NFF legend and history, will be covered in its own separate post in the next few days, including a full photo set. Until then, a sneak peak into the night:

Another full day of music still lay ahead of us the next day including one of the three Deer Tick after parties, but a few events occurred that were out of our control caused us to leave the next morning to be with family. I’d say that we were thoroughly disappointed to miss out on day three (we were) but what we experienced while there was so incredible that we did not leave feeling empty in any way. We did however, begin our countdown to the 2013 NFF, undoubtedly the best and most inspiring festival we’ve ever attended, the moment we left.

Until next year, Newport Folk Festival. We love you!

To see more photos the above bands you can find them on our 2012 Newport Folk Festival photo collection on Flickr. (If you don’t find a set you are looking for check back as we are continuing to upload photo sets as the days go by).

Impressions of the Newport Folk Festival (An Alphabetical Memoir)

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A

is for the Abandoned pair of shoes we found along Thames Street

B

is for the Backstage BBQ going down in a storm . . .

. . . only to rise again! Unplugged but still so powerful

C

is for the Cameras on sticks

D

is for the water Dumping down Ady’s back!

E

is for the solid Everywhere-man Taylor Goldsmith (Dawes) who was spotted . . . everywhere!

F

is for the vibrant music playing with the historic Fort Adams as its backdrop

G

is for the Guthrie Family and the celebration of Woody Guthrie’s 100th birthday

H

is for the Heat and Humidity

I

is for Irie!

J

is for the friendly stranger who strolled over to chat with us, and turned out to be Jackson Browne
(and for the omelette that was named after him)

K

is for all the fun we had with Kristi! And for the beautiful souvenirs she made for us

L

is for the Love of music

M

is for Deer Tick’s explosive cover of Lennon’s “Mother

N

is for, what else! the legendary Newport Folk Festival and the Newport Festivals Foundation that supports it

O

is for Conor Oberst and Friends’ mind-bending performance at Jane Pickens Theater

P

is for the Passageways leading from one stage to the next

Q

is for the lightning Quick entrance by Conor Oberst to join First Aid Kit for “King of the World”

R

is for Rip Roaring amounts of fun and entertainment for days on end

S

is for Jay Sweet. Thank you and the rest of your crew for making the NFF so folking amazing for all of us!

T

{PHOTO BLOCKED FOR YOUR PROTECTION}

is for the (dog, not deer) Tick that stowed away home with us, only to be discovered and dumped along the way in a parking lot in somewhere in New York state.

U

is for the rumored Unicorn head at the festival that turned up at First Aid Kit’s set (see Kristi’s photo for proof!)

V

is for Ben Brodin’s ethereal Vibraphone at Jane Pickens Theater

W

is for the spectacular Weekend kickoff with Wilco’s “Christ for President”

X

is for the acoustic cover of InXs’ “Never Tear Us Apart” led by Jim James at the Backstage BBQ

Y

is for the countdown to the 2013 NFF. See you next Year!

Z

is for the lack of Zzzzzzz’s, but who cares! We were at the 2012 Newport Folk Festival!

Adieu sweet festival, until we meet again!

View our collection of photos from the 2012 Newport Folk Festival